Maria Eichhorn
(Re)visit
06 Feb – 14 Mar 2026
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Maria Eichhorn, '(Re)visit', 2026, exhibition view. Photo: Stine Heger
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Maria Eichhorn, 'Curtain (Brown)', 1995/2026. Photo: Stine Heger
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Maria Eichhorn, '(Re)visit', 2026, exhibition view. Photo: Stine Heger
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Maria Eichhorn, '(Re)visit)', 2026. Detail view of 'Flux Ping-Pong, 1976, by George Maciunas'. Photo Stine Heger
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Maria Eichhorn, '(Re)visit)', 2026. Detail view of 'Flux Ping-Pong, 1976, by George Maciunas'. Photo Stine Heger
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Maria Eichhorn, '(Re)visit)', 2026. Detail view of 'Flux Ping-Pong, 1976, by George Maciunas'. Photo Stine Heger
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Maria Eichhorn, '(Re)visit)', 2026. Detail view of 'Flux Ping-Pong, 1976, by George Maciunas'. Photo Stine Heger
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Maria Eichhorn, '(Re)visit)', 2026. Detail view of 'Flux Ping-Pong, 1976, by George Maciunas'. Photo Stine Heger
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Maria Eichhorn, '(Re)visit)', 2026. Detail view of 'Chair Events, 1969, by George Brecht'. Photo Stine Heger
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Maria Eichhorn, '(Re)visit)', 2026. Detail view of 'Chair Events, 1969, by George Brecht'. Photo Stine Heger
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Maria Eichhorn, '(Re)visit)', 2026. Detail view of 'Chair Events, 1969, by George Brecht'. Photo Stine Heger
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Maria Eichhorn, '(Re)visit)', 2026. Detail view of '33 1/3, 1969, by John Cage'. Photo: Stine Heger
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Maria Eichhorn, '(Re)visit)', 2026. Detail view of '33 1/3, 1969, by John Cage'. Photo: Stine Heger
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Maria Eichhorn, '(Re)visit)', 2026. Detail view of '33 1/3, 1969, by John Cage'. Photo: Stine Heger
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From the archives: Maria Eichhorn, Galleri Susanne Ottesen (1995), exhibition poster
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From the archives: Maria Eichhorn, Galleri Susanne Ottesen (1995), exhibition invitation
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From the archives: Maria Eichhorn's 1995 solo show at Galleri Susanne Ottesen
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From the archives: Maria Eichhorn's 1995 solo show at Galleri Susanne Ottesen
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From the archives: Maria Eichhorn's 1995 solo show at Galleri Susanne Ottesen
‘(Re)visit’ enacts in its entirety Maria Eichhorn’s 1995 exhibition at Galleri Susanne Ottesen, repeating her precise staging of three works by central figures of the Fluxus movement: Chair Events, 1969, by George Brecht; 33 1/3, 1969, by John Cage; and Flux Ping-Pong, 1976, by George Maciunas.
Eichhorn’s exhibition poses fundamental questions about artistic authorship, audience participation, and the gallery as an active framework through which art is made and experienced. By recreating works from the René Block Collection, Eichhorn also addresses questions of public display and censorship, raised following the collection’s inaugural presentation at Statens Museum for Kunst in Copenhagen (1992).
As in 1995, when Maria Eichhorn recreated the works of three artists: Georg Brecht, John Cage and George Maciunas, this recreation, invites Nanna Abell, Christine Dahlerup and Kajsa Karlsson to enter into dialogue with the exhibition and the framework of the Speakers’ Corner (21 February 2026).
‘(Re)visit’ follows on from ‘Manuals’ by Fatima Moallim (2025), the first in an ongoing programme of exhibitions at Galleri Susanne Ottesen reflecting on the gallery’s role amid profound shifts in the way that art is circulated, mediated, and displayed.