Olav Christopher Jenssen, Fatima Moallim, Kehnet Nielsen, Bjørn Nørgaard
holdings
20 Aug – 26 Sep 2026
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Holdings, installation view, 2026
Kehnet Nielsen, Olav Christopher Jenssen, Bjørn Nørgaard, Photo: Matilde Søes Rasmussen
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Kehnet Nielsen, Solitude, 2001
Oil on canvas, 300 x 420 cm, Photo: Matilde Søes Rasmussen
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Kehnet Nielsen, Solitude(Detail), 2001
Photo: Matilde Søes Rasmussen
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Holdings, installation view, 2026
Fatima Moallim, Bjørn Nørgaard, Photo: Matilde Søes Rasmussen
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Fatima Moallim, Samlade dikter, 2022
Marker and bic-pen on linoleum, 307 x 366 cm, Photo: Matilde Søes Rasmussen
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Holdings, installation view, 2026
Kehnet Nielsen, Olav Christopher Jenssen, Photo: Matilde Søes Rasmussen
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Olav Christopher Jenssen, Anthologie/Apriori, 2022-2023
Acrylic and oil on canvas, 185 x 195 cm, Photo: Matilde Søes Rasmussen
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Holdings, installation view, 2026
Kehnet Nielsen, Fatima Moallim, Bjørn Nørgaard, Photo: Matilde Søes Rasmussen
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Kehnet Nielsen, Stills & Memoires IV, 1992
Oil on canvas, 245 x 265 cm, Photo: Matilde Søes Rasmussen
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Holdings, installation view, 2026
Bjørn Nørgaard, Kehnet Nielsen, Photo: Matilde Søes Rasmussen
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Bjørn Nørgaard, Art is what, 2005
Glazed stoneware, 115 x 55 x 33 cm, Photo: Matilde Søes Rasmussen
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Holdings, installation view, 2026
Fatima Moallim, Olav Christopher Jenssen, Photo: Matilde Søes Rasmussen
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Olav Christopher Jenssen, Tangere, 2003-2004
Acrylic on canvas, 245 x 245 cm, Photo: Matilde Søes Rasmussen
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Holdings, installation view, 2026
Fatima Moallim, Kehnet Nielsen, Photo: Matilde Søes Rasmussen
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Holdings, installation view, 2026
Olav Christopher Jenssen, Bjørn Nørgaard, Photo: Matilde Søes Rasmussen
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Olav Christopher Jenssen, Smaller Palindrome No. 01, 2001
Acrylic on canvas, 95 x 105 cm, Photo: Matilde Søes Rasmussen
On the occasion of CHART 2026, Galleri Susanne Ottesen presents new works by Olav Christopher Jenssen, Fatima Moallim, Kehnet Nielsen and Bjørn Nørgaard across the fair’s many formats, while earlier works by the same artists will feature in a paired exhibition, on view at the gallery. Some have never before been exhibited in Denmark; other works re-emerge after more than a decade in storage. Preserved through the gallery’s long-term relationships with its artists, holdings reflects a commitment to continuity and care while inviting reflection on a commercial art world that often prizes the swift passage from the artist’s studio and into a collection. Here, storage is understood not as inactive or having diminished value, but as a space of possibility – a place where works are cared for until the right context, conversation, or constellation brings them forward once more. Their reappearance is not a return to the past, but an invitation to a new encounter.