Group Exhibition

Face of Another

01 Jun – 11 Aug 2018

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Face of Another, 2018

Installation view

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Face of Another, 2018

Installation view

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Face of Another, 2018

Installation view

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Face of Another, 2018

Installation view

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Face of Another, 2018

Instalaltion view

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Face of Another, 2018

Installation view

Face of Another

1 June – 11 August 2018

Nanna Abell (1985, DK), Ib Braase (1932-2009, DK), Jóhan Martin Christiansen (1987, DK/FO),
Christine Overvad Hansen (1988, DK), Emil Westman Hertz (1978-2016, DK), Silas Inoue (1981,
DK), Sandra Mujinga (1989 NO), Nina Nowak (1984, DE), Kirsten Ortwed (1948, DK), Julia Phillips
(1985, DE).

 

The exhibition Face of Another showcases a selection of works that in various ways are occupied
with destabilizing established boundaries between object and subject – between human and world.
The exhibition finds its inspiration in the novel The Face of Another (Tanin No Kao), published
1964 by Japanese author Kobo Abe, and its study of fluid identities and the disruption of a harddrawn distinction between body and matter.

The novel’s first-person narrator, a scientist, accidentally loses his face by etching during an
experiment. This becomes the starting point of a long process – he proceeds to create a mask in
order to obtain a new face and identity – a flesh dummy of sorts. This process allows the narrator
to reflect on the fluidity of identities and genders and to consider the means of objects becoming
part of the body. Man and mask melts into one new body, inherently changing the scientist’s whole
way of looking at, and being in, the world.

The exhibition title’s face of another should not necessarily be understood as something
recognizable as a face – eyes, ears, mouth – but rather as something representing the idea of an
other (being object or person) and the ways of engaging in a bodily relation with it or them.
Typically, the face is perceived as essential in our initial bonding with others – as something
pointing to humaneness. In Kobo Abe’s novel, the human face is replaced with a mask. A
prosthesis. As in Abe’s novel, an actual face only appear in very few of the exhibited works. One of
them is in Emil Westman Hertz’ sculpture made out of newspaper: the image of a head, a recurrent
motif in his oeuvre often titled face of another. In other of the exhibited works the relation to the
novel will seem more peripheral, but several works possess a certain needy and urgent, or
perhaps even aggressive and violent, insistence on entering into a relationship – an insistence on
becoming part of a body.

A preoccupation in recent years with re-negotiating the relation between nature, body and our
material surroundings, have made it possible to understand matter and non-human entities as
living, vibrant and active players. As a consequence thereof, the body as we know it is dissolving
and is increasingly constructed through a plenitude of parameters – material, gendered,
technological, ecological and post-digital – in an ongoing discussion of our place in the world.
Face of Another is not an exhibition about masks. But it is in various ways dealing with material as
well as digital masking, camouflage, defenses and illusions. It deals with a modelling, a
modification and a choreographing of the objects’ integration in and with each other’s as well as
the viewers’ bodies.

Curated by Nanna Stjernholm Jepsen