Olav Christopher Jenssen
Archaeology
20 Mar – 02 May 2026
Arriving at Galleri Susanne Ottesen, I find the Norwegian artist Olav Christopher Jenssen perched on a windowsill, typing the words for one of several new signs. These notices are ordinarily found at the entrance of Jenssen’s rural studio or as announcements for special family occasions. But for the first time, they will lead the way through one of his exhibitions.
Our conversation takes place in the midst of installing the show, featuring a distinct series of recent works across painting, sculpture, and drawing. They each offer an insight into Jenssen’s past and present – imbued with the layers of historic series and experiences, as well as the tender sensations of the here and now. In a twist of fate, Jenssen’s life was forever altered in 2023 when he suffered a stroke. Now, with his vision impaired, Jenssen talks about the importance of pressing forward and continuing to make art, leaning into the processes that have been the foundation of his career.
Through this dramatic change, Jenssen has conversely found freedom – liberated from the suggestive powers of visual stimuli and the urge to go back and correct oneself. With this relinquish of control comes a new, strengthened sense of his existing tolerance, both in art and life. This balance between the poetic and the pragmatic has long been true of Jenssen’s artistic approach – purposefully and lyrically oblique, yet rooted in a repeated and enduring practice.
Alice Godwin, arts writer, researcher and editor
In conversation: Olav Christopher Jenssen and Alice Godwin
Alice Godwin: Well, where to start? I think the title, Archaeology, would be a lovely place to begin.
Olav Christopher Jenssen: That’s a good beginning.
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